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  Исполнитель(и) :
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  Наименование CD :
   Beethoven: Piano Sonatas, Vol. 4 (Opp. 26, 27 & 28)

Год издания : 2007

Компания звукозаписи : ECM

Время звучания : 1:14:43

Код CD : ECM New Series 1944

  Комментарий (рецензия) :

CD, стоящие на полке рядом : Classics (Guru)      

Recorded April 2005

Volume 1, Volume 2, Volume 3, Volume 5, Volume 6, Volume 7, Volume 8

The first three instalments of Andras Schiff's Beethoven cycle in chronological order have met with great critical acclaim. "This will be one of the great Beethoven sonata sets" was the verdict of 'Fanfare' while 'Die Zeit' saluted an "outstanding Beethoven interpreter". On volume III released last autumn, Anthony Holden wrote in Britain's 'Observer': "As always, Schiff is a master of detail, often rephrasing bars you thought you knew well, coming up with fine nuances while never losing sight of the work's overall architecture. Recorded live in Zurich's Tonhalle, thanks to Schiff's belief that it's vital to play in front of an audience, this is a distinguished instalment in an outstanding cycle."

Volume IV includes four masterworks of strong individual features dating from 1800 and 1801 which in Schiff's view conclude his "early" period. "Between 1795 and 1801 Beethoven establishes himself as a superb master of the art of characterisation, and is also revelling in experimentation", he explains in the booklet-interview with Martin Meyer stressing the formal innovations in the sonatas recorded here. "While the A flat Sonata op. 26 for the first time places a variation movement at the start of the work, the two op. 27 Sonatas are specifically described as being 'quasi una fantasia'. The D-major Sonata op. 28 makes a return to the 'classical' four-movement design, but once again we find very surprising solutions, above all in the realm of a differentiation between sonorities."

Even in the famous "Moonlight" sonata Schiff's attention to detail leads to unexpected listening experiences. "Nobody in the hall will have heard this first movement like that before" wrote Peter Hagmann in the 'Neue Zurcher Zeitung' after the recital in Tonhalle Zurich that was recorded live for ECM. "Not the kind of over-demonstrative approach which has become common these days lies at the heart of this interpretation but the consequent and courageous scrutiny of the musical text."

In November 2006 Schiff completed his Beethoven cycle in major European cities playing the sonatas opp. 109-111. In the 'Frankfurter Allgemeine Zeitung' Julia Spinola writing on the Munich recital observed that the sonatas "sounded like the purest essence of Beethoven's late style, as if they were extracted from marble."


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Наименование трека



   1 I. Andante Con Variazioni         0:07:41 Sonata No. 12 A-flat Major Op. 26 - Dedicated To Prince Carl Von Lichnowsky
   2 II. Scherzo: Allegro Molto         0:02:42 -"-
   3 III. Marcia Funebre Sulla Morte D'un Eroe         0:05:06 -"-
   4 IV. Allegro         0:03:19 -"-
   5 I. Andante - Allegro - Tempo I         0:05:20 Sonata No. 13 E-flat Major Op. 27/1 - Sonata Quasi Una Fantasia - Dedicated To Countess Josephine Von Liechtenstein
   6 II. Allegro Molto e Vivace         0:02:04 -"-
   7 III. Adagio Con Espressione         0:02:37 -"-
   8 IV. Allegro Vivace         0:05:57 -"-
   9 I. Adagio Sostenuto         0:04:28 Sonata No. 14 C-sharp Minor Op. 27/2 - Sonata Quasi Una Fantasia - "Moonlight" - Dedicated To Countess Giulietta Guicciardi
   10 II. Allegretto         0:02:25 -"-
   11 III. Presto Agitato         0:07:37 -"-
   12 I. Allegro         0:10:29 Sonata No. 15 D Major Op. 28 - "Pastorale" - Dedicated To Joseph Edler Von Sonnenfels
   13 II. Andante         0:06:59 -"-
   14 III. Scherzo: Allegro Vivace         0:02:14 -"-
   15 IV. Rondo: Allegro Ma Non Troppo         0:05:46 -"-


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