Описание CD

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  Исполнитель(и) :
   Bley, Carla  (Piano)
◄◄◄        ►►►

  Наименование CD :
   The Lost Chords

Год издания : 2004

Компания звукозаписи : ECM, WATT, (ru)

Музыкальный стиль : Post-Bop

Время звучания : 54:00

  Комментарий (рецензия) :

CD, стоящие на полке рядом : Jazz (Free - Avant-Garde)      

Carla Bley, Sheppard, Swallow, Drummond

Recorded October 2003 on tour in Europe

Mixed November 2003 at The Make Believe Ballroom, West Shokan, NY

The Lost Chords are Carla Bley (piano), Andy Sheppard (saxophones), Steve Swallow (electric bass), and Billy Drummond (drums). This self-titled album is a document from the quartet's 2003 European tour. The set begins with the three-part suite "3 Blind Mice," a decidedly straight-ahead set comprised of bluesy hard bop and post-bop tropes. Bley and Sheppard solo and play the front line with great rapport; they complement one another well and their exchanges are relaxed and lyrical. The slightly dissonant angularity of "Hip Hop" reflects Bley's sense of humor as well as her affinity for the funky blues of Horace Silver and Bobby Timmons. "Lost Chords," the nearly 17-minute three-part suite that bookends the album at its close, is one of the most beautifully lyrical pieces Bley has ever composed. Its wide reach across ballad, bop, and modal developments is ambitious, and yet it is also seamless. As showcased to great effect here, Swallow's bass playing, while always subtle and unobtrusive, is such a force in this band that he becomes its entire spine. The depth of communication here is marvelous, and given the level of comfort these musicians have with one another, that feeling of ease is communicated to the listener as well.

All Music Guide


After "Looking for America", an album for big band that had taken three years to write, I had to look for a new project. It was time to do something with a small group. Playing duets with Steve Swallow was too hard, and Steve and I had already toured and recorded as a trio with Andy Sheppard. The next size up was a quartet. The obvious move was to add Billy Drummond, who had already played drums with 4 x 4 and the big band, to the trio.

When my agent in Europe asked me what the group would be called, the answer came to me instantly: The Lost Chords.

I had come across the sheet music for a piece called "The Lost Chord", by Sir Arthur Bliss when I was a child. With great excitement I'd played the piece on the piano, hoping to discover a chord that was more beautiful than any I had ever heard. Unfortunately, the harmonies were rather ordinary, and the memory of that disappointment must have stuck with me longer than I could have imagined.

For maybe the first time, the title for one of my pieces preceded its musical content. There was a dressing room piano at the last concert of the summer 2002 big band tour and, while everyone packed up, I decided to get ahead start on my next project. I sat there and picked out some inspired, lost-sounding chords. I had to spell out their notes with a blunt pencil on the back of a program, since I had no manuscript paper. When I got home I couldn't find the program. Those seminal chords were truly and appropriately lost. But I managed to remember some aspects of them and immediately began work on the piece that was to become "Lost Chords"

The next to hatch was "Red". It was named after a chicken I had befriended. It probably deserved a better name but I could never come up with one. I liked the fact that I couldn't play the melody on the piano.

Then came the agonizingly long and difficult birth, or rather adoption, of "Three Blind Mice". It was as difficult to play as it was to write. I gave Andy and Billy the hardest parts.

Since I seem to be talking about compositions as if they were flesh and blood offspring, "Tropical Depression" could be described as a foster child. Originally written in 1985 as incidental music for a mini-operatic version of "For Under The Volcano", based on Malcolm Lowry's novel, it featured Jack Bruce. When it was first performed at the Mark Taper Forum in Los Angeles its name was "4/4 Under The Volcano". Re-named "Tropical Depression", it was handed from band to band for the next 15 years, until it finally found a home with The Lost Chords.

"Hip Hop" was written for big band, but we played it in a trio version first. When it didn't make the cut for the "Looking For America" album, I knew it would be perfect for the quartet. And we already knew how to play it!

We always record more material than we need for an album, so there are always pieces that, for one reason or another, don't make it. I often re-orchestrate these orphans for the next group. One of the pieces the quartet played that didn't end up on the Lost Chords album was "Oni Puladi". That poor piece ("Ida Lupino" played backwards) must be 30 years old and it still hasn't been placed.

This album could be seen as a continuation of a search, from "Looking" to "Lost". One small corner of American music.

-Carla Bley

  Соисполнители :

Andy Sheppard (Alt Saxophone, Soprano Saxophone)
Billy Drummond (Drums)
Steve Swallow (Bass)

№ п/п

Наименование трека



   1 3 Blind Mice         0:05:34 Bley -3 Blind Mice
   2 Wink Leak / Traps / Leonard Feather         0:05:31 -"-
   3 The Maze / Blind Mice Redux         0:04:15 -"-
   4 Hip Hop         0:07:45 Bley
   5 Tropical Depression         0:07:40 -"-
   6 Red     T       0:06:04 -"-
   7 I         0:09:07 Lost Chords
   8 II         0:04:24 -"-
   9 III         0:03:41 -"-


 T   'щелкнуть' - переход к тексту композиции.

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