Описание CD

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  Исполнитель(и) :
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  Наименование CD :
   Attica Blues

Год издания : 1972

Компания звукозаписи : Impulse!, (ru)

Время звучания : 37:23

  Комментарий (рецензия) :

CD, стоящие на полке рядом : Jazz (Free - Avant-Garde)      

Recorded January 24, 25, and 26, 1972, at A&R Recording, New York. Engineering by Tony May, assisted by Eddie Sepanski.

Refining his large-ensemble experiments of 1971, Attica Blues is one of Archie Shepp's most significant post-'60s statements, recorded just several months after authorities ended the Attica prison uprising by massacring 43 inmates and hostages. Perhaps because Shepp's musical interests were changing, Attica Blues isn't the all-out blast of rage one might expect; instead, it's a richly arranged album of mournful, quietly agonized blues and Ellingtonian swing, mixed with a couple of storming funk burners. Of course, Shepp doesn't quite play it straight, bringing his avant-garde sensibilities to both vintage big band and contemporary funk, with little regard for the boundaries separating them all. His soloing on tenor and soprano is typically sharp-edged and modal, and his nasal, slicing tone on soprano is featured quite heavily. The stylishness of the slow numbers is undercut with quivering, faintly unsettling dissonances, and the up-tempo funk cuts recall the way Sly Stone's arrangements ping-ponged many different elements off each other in a gleeful organized chaos. That's especially true on the gospel-inflected title song, a monster of a groove that later became a hit on the acid jazz revival circuit (and stands up to anything recorded by straight-up funk bands of the era). In the same vein, "Blues for Brother George Jackson" sounds like an edgier Isaac Hayes-style blaxploitation soundtrack cut. Vocal ballads are plentiful, and Joe Lee Wilson ("Steam," a song Shepp would return to often) and Carl Hall (aka Henry Hull) both acquit themselves well; more debatable are the poetic recitations and the choice of flugelhornist/composer Cal Massey's young daughter Waheeda to sing "Quiet Dawn" (although Waheeda's almost-there intonation is effectively creepy). Still, in the end, Attica Blues is one of Shepp's most successful large-group projects, because his skillful handling of so many different styles of black music produces such tremendously groovy results.

-Steve Huey (All Music Guide)

  Соисполнители :

Albertine Robinson (Vocals, Background Vocals)
Beaver Harris (Drums)
Bill Robinson (Tenor Saxophone)
Billy Higgins (Drums)
Cal Massey (Flugelhorn)
Calo Scott (Cello, Viola)
Charles McGhee (Trumpet)
Charles Stephens (Trombone)
Clarence White (Alt Saxophone)
Clifford Thornton (Cornet)
Cornell Dupree (Guitar)
Dave Burrell (Piano)
Gerald Jemmott (Bass)
Henry Hull (Vocals)
James Ware (Baritone Saxophone)
Jimmy Garrison (Bass)
Joe Lee Wilson (Vocals)
John Blake (Violin)
Joshie Armstead (Vocals, Background Vocals)
Juma Sultan (Percussion)
Kiane Zawadi (Trombone)
Lakshminarayana Shankar (Violin)
Leroy Jenkins (Violin)
Marion Brown (Flute, Percussion, Alt Saxophone)
Michael Ridley (Trumpet)
Nene DeFense (Percussion)
Ollie Anderson (Percussion)
Roland Alexander (Tenor Saxophone)
Rolando Wilson (Bass)
Romulus Franceschini (Conductor, Vocals)
Ronald Lipscomb (Cello, Viola)
Roy Burrowes (Trumpet)
Waheeda Massey (Vocals)
Walter Davis Jr. (Piano)

№ п/п

Наименование трека



   1 Attica Blues         0:04:48 Harris, Shepp
   2 Invocation: Attica Blues         0:00:20 Harris
   3 Steam, Pt. 1         0:05:07 Shepp
   4 Invocation To Mr. Parker         0:03:16 Gray, Shepp
   5 Steam, Pt. 2         0:05:10 Shepp
   6 Blues For Brother George Jackson         0:04:01 -"-
   7 Invocation: Ballad For A Child         0:00:30 Harris
   8 Ballad For A Child         0:03:37 Harris, Shepp
   9 Goodbye Sweet Pops         0:04:23 Massey
   10 Quiet Dawn         0:06:12 -"-


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