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  Исполнитель(и) :
◄◄◄        ►►►

  Наименование CD :
   Matthaus - Passion CD1-2 (Peter Schreier)

Год издания : 2001/1987

Компания звукозаписи : Philips, (ru)

Время звучания : 1:58:56

К-во CD : 2

Код CD : SI-1337-A,B

  Комментарий (рецензия) :

CD, стоящие на полке рядом : Sacred Music (Master Works)      

"Страсти по Матфею" - St Matthew Passion - BWV 244

Peter Schreier, Dresdner Kapellnaben, Rundfunkchor Leipzig, Staatskapelle Dresden

About BWV 244 on 'bach-cantatas.com'

Peter Schreier, tenor (Evangelist)

Theo Adam, bass (Jesus)

Lucia Popp, soprano (Arias and recitatives)

Marjana Lipovsek, contralto (Arias and recitatives)

Eberhard Buchner, tenor (Arias and recitatives)

Robert Holl, bass (Arias and recitatives)

Andreas Scheibner, baryton (Peter)

Ekkehard Wlaschiha, bass (Judas)

Hermann Christian Polster, bass (Pilate)

Olaf Bar, baritone baryton (Pontifex)

Johanna Scheiderheinze, contralto (Testis I)

Ekkerhard Wegner, tenor (Testis II)

Andrea Ihle, soprano Alt (Ancilla I)

Elisabeth Wilke contralto Alt (Ancilla II)

Helga Termer, soprano (Uxor Pilati)

Hans-Joachim Ribbe, bass (Pontifex I)

Klaus Henkel, bass (Pontifex II)

Walter-Heinz Bernstein, Christine Schornsheim, organ

описание CD3

см. исполнение


St. Matthew Passion (Matthauspassion), BWV 244 (BC D3b)

It is unclear exactly how many Passion settings Bach wrote: perhaps but not likely five, possibly three or four. Only two survive today; the second of these, the St. Matthew Passion dates from 1729. The Passions, Biblical texts set as large-scale musical works, were performed on Good Friday and told the story of Christ's Crucifixion, according to the Gospels.

The St. Matthew Passion is a work very different in character from its extant predecessor, the St. John Passion: the former is deeply devotional, introspective, and meditative in character, while the latter is more intensely dramatic, with more action in its narrative. The St. Matthew Passion is often compared with Bach's monumental Mass in B minor in terms of both scope and piety. Performed at St. Thomas' Church in Leipzig, the work sets a text by Christian Picander (who may have been the author of a hypothetical, now-lost 1725 Bach Passion). Another significant difference between the St. John and St. Matthew works lies in their respective texts: the St. John text is very short, beginning with Judas' betrayal of Christ, and focusing on Christ's trial before Pilate; the St. Matthew text, on the other hand, is very long, containing almost twice as many verses as the St. John text.

The St. Matthew Passion is also much grander musically, with its two four-part choirs and large orchestra of strings, flutes, oboes, harpsichord, and organ. Bach makes particularly poignant and varied use of his two choirs in this piece; they are heard representing the voices of different communities of believers, and also of the clamorous, derisive crowds at the Crucifixion. One celebrated aspect of the work is the way Bach uses the instrument groups to achieve various text-painting effects; a halo around Christ is suggested, for example, by the soft, sustained chords of a string ensemble, and Bach depicts the weariness of Christ on the road to Calvary with a deep pedal point. Like the St. John Passion, the St. Matthew Passion contains both Gospel text and hymn text, and both employ recitatives, arias, and choruses.

The similarities between Bach's Passions and the Catholic oratorio genre are striking. The Passions are, like the oratorio, a kind of religious opera; as in that more overtly dramatic genre, arias serve as a vehicle for lyrical expression and recitatives to advance the textual narrative. The central figure, both musically and dramatically, in the St. Matthew Passion is the Evangelist (a tenor), who narrates the story. The nature of his purely narrative, non-participatory, role is made clear through his confinement to passages of recitative; he is never afforded the opportunity for more expansive lyricism. This mode of expression falls to the other vocal soloists, who adopt the personae of those involved in the drama and give them voice.

The score is best appreciated as a whole, in which context the dramatic sweep and spiritual conviction of the work are abundantly clear. However, there are a number of notable highlights that are frequently excerpted. These include the soprano aria "Blute nur, du liebes Herz," the alto aria "Erbarme dich," which incorporates an obbligato violin, and the bass aria "Mache dich, mein Herze, rein."

- Alexander Carpenter (allmusic.com)

  Соисполнители :

Andreas Scheibner (Baritone Voice)
Eberhard Buchner (Tenor Voice)
Ekkehard Wlaschiha (Bass Voice)
Hermann Christian Polster (Bass Voice)
Klaus Henkel (Bass Voice)
Robert Holl (Bass Voice)

№ п/п

Наименование трека



   1 01 Kommt, Ihr Tochter, Helft Mir Klagen         0:07:53 Chor I / II - Part One
   1 02 Da Jesus Diese Rede Vollendet Hatte         0:00:45 Evangelista, Jesus
   1 03 Herzliebster Jesu, Was Hast Du Verbrochen         0:00:58 Choral
   1 04 Da Versammelten Steh Die Hohenpriester         0:03:10 Evangelista
   1 05 Du Lieber Heiland Du         0:01:01 Recitativo / Alto
   1 06 Bu? Und Reu         0:04:19 Aria / Alto
   1 07 Da Ging Hin Der Zwolfen Einer         0:00:38 Evangelista, Judas
   1 08 Blute Nur, Du Liebes Herz         0:04:30 Aria / Soprano
   1 09 Aber Am Ersten Tage Der Su?en Brot         0:02:27 Evangelista:
   1 10 Ich Bin's, Ich Sollte Bu?en         0:00:57 Choral
   1 11 Er Antwortete Und Sprach         0:03:23 Evangelista, Jesus, Judas
   1 12 Wiewohl Mein Herz In Tranen Schwimmt         0:01:30 Recitativo / Soprano
   1 13 Ich Will Dir Mein Herze Schenken         0:03:49 Aria / Soprano
   1 14 Und Da Sie Den Eobgesang Gesprochen Hatten         0:01:11 Evangelista, Jesus - 1.10
   1 15 Erkenne Mich, Mein Huter         0:01:09 Choral
   1 16 Petrus Aber Antwortete         0:01:12 Evangelista, Petrus, Jesus
   1 17 Ich Will Hier Bei Dir Stehen         0:01:10 Choral
   1 18 Da Kam Jesus Mit Ihnen Zu Einem Hofe         0:01:58 Evangelista, Jesus
   1 19 O Schmerz! Hier Zittert Das Gequalte Herz         0:01:48 Recitativo, Tenore, Chorus II
   1 20 Ich Will Bei Meinem Jesu Wachen         0:05:21 Aria - Tenore, Chor II
   1 21 Und Ging Hin Ein Wenig         0:00:48 Evangelista, Jesus
   1 22 Der Heiland Fallt Vor Seinem Vater Nieder         0:01:06 Recitativo / Basso
   1 23 Gerne Will Ich Mich Bequemen         0:04:21 Aria / Basso
   1 24 Und Er Kam Zu Seinen Jungern         0:01:24 Evangelista, Jesus
   1 25 Was Mein Gott Will, Das G'scheh Allzeit         0:01:18 Choral
   2 01 Und Er Kam Und Fand Sie Aber Schlafend         0:02:40 Evangelista, Jesus, Judas
   2 02 So Ist Mein Jesus Nun Gefangen         0:04:42 Aria / Duetto, Soprano, Alto, Chor II
   2 03 Und Siehe, Einer Aus Denen         0:02:44 Evangelista, Jesus - 2.44
   2 04 O Mensch, Bewein Dein Sunde Gro?         0:06:19 Choral
   2 05 Ach, Nun Ist Mein Jesu Hin         0:04:04 PartTwo - Aria / Alto, Chor 11
   2 06 Die Aber Jesum Gegriffen Hatten         0:01:09 Evangelista
   2 07 Mir Hat Die Welt Trugltch Gericht         0:00:49 Choral
   2 08 Und Wie Wohl Viel Falsche Zeugen Herzutraten         0:01:23 Evangelista, Testis I / II, Pontifex
   2 09 Mein Jesu Schweigtzu Falschen Eugen Stille         0:01:15 Recitativo / Tenore
   2 10 Geduld         0:03:23 Aria / Tenore
   2 11 Und Der Hohepriester Antwortete         0:02:13 Evangelista, Pontifex, Jesus
   2 12 'Wer Hat Dich So Geschlagen         0:01:01 Choral
   2 13 Petrus Aber Sa? Drau?en Im Palast         0:02:35 Evangelista, Ancilla I / II, Petrus
   2 14 Erbarme Dich         0:06:48 Aria / Alto
   2 15 Bin Gleich Von Dir Gewichen         0:01:11 Choral
   2 16 Des Morgens Aber Hielten Alle Hohenpriester         0:01:45 Evangelista, Judas
   2 17 Gebt Mir Meinen Jesum Wieder         0:03:10 Aria / Basso
   2 18 Sie Hielten Aber Einen Rat         0:02:19 Evangelista, Pilatus, Jesus
   2 19 Befiehl Du Deine Wege         0:01:15 Choral
   2 20 Auf Das Fest Aber Hatte Der Landpfleger Gewohnheit         0:02:31 Evangelista, Pilatus
   2 21 Wie Wunderbaritch Ist Doch Diese Strafe         0:01:02 Choral
   2 22 Der Landpfleger Sagte         0:00:17 Evangeiista, Pilatus
   2 23 Er Hat Uns Allen Wohlgetan         0:01:17 Recitativo / Soprano
   2 24 Aus Liebe Will Mein Hdland Sterben         0:04:54 Aria / Soprano


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