CD, стоящие на полке рядом : World Music (Latin America)      

2 LP on 1 CD

## 1 - 13 - Tide (3*) Polygram (1970)

On Jobim's second A&M album, Eumir Deodato takes over the chart-making tasks, and the difference between him and Claus Ogerman is quite apparent in the remake of "The Girl From Ipanema": the charts are heavier, more dramatic, and structured. Sometimes the arrangements roll back so one can hear, say, the dancing multi-phonic flute of wildman Hermeto Pascoal on "Tema Jazz," and the rhythms often veer away from the familiar ticking of the bossa nova. Jobim is his usual understated self, adding very subtle electric piano to his arsenal of acoustic piano and guitar, but the material sometimes falls short of Jobim's tip-top level (dead giveaway: "Tide" is a clever rewrite on the chord changes of "Wave"). Still, it's beautifully made and very musical at all times.

— Richard S. Ginell

## 14 - 23 - Wave (5*) A&M (1967)

When Creed Taylor left Verve/MGM for his own label under the auspices of A&M, he quickly signed Jobim and they picked up right where they left off with this stunningly seductive record, possibly Jobim's best. Jobim contributes his sparely rhythmic acoustic guitar, simple melodic piano style, a guest turn at the harpsichord, and even a vocal on "Lamento," while Claus Ogerman is on board lending a romantically brooding hand with the charts. A pair of instant standards are introduced ("Wave," "Triste") but what makes this album so cherishable are the absolutely first rate tunes - actually miniature tone poems - that escaped overexposure and thus sound fresh today. The most beautiful sleeper is "Batidinha," where the intuitive Jobim/Ogerman collaboration reaches its peak. One only wishes that this album were longer; 31:45 is not enough.

— Richard S. Ginell