CD, стоящие на полке рядом : Jazz (Man Voice)      

2 LP on 1 CD

## 1 - 9 Jarreau (Warner) 1983

Having broken through into the pop Top Ten albums with producer Jay Graydon and Breakin' Away, Jarreau had found his commercial groove, and it was potent enough to sustain him at least through the eponymously titled follow-up album. Again, strong, often self-co-composed material and catchy, radio-friendly arrangements with lots of synthesizers would be the strong suit of this album, front-loaded by two large-scale R&B hits, the cheery "Mornin'" and footstomping "Boogie Down," that would be part of his concert repertoire forever more ("Save Me" is also in their league). The backing comes from a coterie of L.A. pros who kick in more energy than what one would normally expect; it must be the material that fired 'em up. In other words, this is a really good R&B album, almost a great one, with the one caveat being that Jarreau's unique vocal abilities aren't remotely challenged; this could have been conceivably cut by almost any skilled R&B singer.

## 10 - 18 All Fly Home (Warner) 1978

With a restrained yet potent funk band and a few cameos from luminaries in the jazz world, Jarreau gets plenty of opportunities to wrap his rubbery, ever-changing timbre around an agreeable collection of tunes, the majority of which he wrote or co-wrote. Of the cover tunes, Jarreau completely transforms the Loggins' "Wait a Little While," the Beatles' "She's Leaving Home" and Otis Redding's "Dock of the Bay" into personal vehicles for vocal acrobatics, and his own "Fly" revives his uncanny ability to skitter and sail along with a Brazilian-based rhythm track. Freddie Hubbard puts in a soulful guest appearance on flugelhorn on Dave Frishberg's "I'm Home" and applies a more outgoing obligato to "Fly"; Lee Ritenour and Paulinho Da Costa also make appearances on the record. While Jarreau could still be technically classified as a jazz singer at this point, he is really inhabiting a zone of his own.