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     Carey Bell

Born: Nov 14, 1936 in Macon, MS
Died: May 6, 2007 in Chicago, IL
Genre: Blues
Styles: Electric Chicago Blues, Harmonica Blues, Modern Electric Chicago Blues, Chicago Blues
Instruments: Bass, Guitar, Harmonica, Drums, Vocals

His place on the honor roll of Chicago blues harpists long ago assured, Carey Bell truly came into his own in the '90s as a bandleader with terrific discs for Alligator and Blind Pig. He learned his distinctive harmonica riffs from the Windy City's very best (both Walters - Little and Big - as well as Sonny Boy Williamson II), adding his own signature effects for good measure (an otherworldly moan immediately identifies many of his more memorable harp rides).

Born Carey Bell Harrington in the blues-fertile state of Mississippi, he was already playing the harp when he was eight and working professionally with his godfather, pianist Lovie Lee, at 13. The older and more experienced Lee brought Carey with him to Chicago in search of steady musical opportunities in 1956. Gigs frequently proved scarce, and Carey eventually took up electric bass, playing behind Robert Nighthawk, Johnny Young, and his mentor Big Walter Horton. Finally, in 1969, Bell made his debut album (on harp) for Delmark, and he was on his way.

Bell served invaluable early-'70s stints in the bands of Muddy Waters and Willie Dixon, touring extensively and recording with both legends. Alligator Records has been responsible for much of Bell's best recorded work as a leader, beginning with a joint venture with Horton back in 1972. Four cuts by Bell on the first batch of Alligator's Living Chicago Blues anthologies in 1978 preceded his participation in the 1990 harmonica summit meeting Harp Attack!, which brought him into the studio with fellow greats James Cotton, Junior Wells, and Billy Branch. His solo set for Alligator, Deep Down, rates as his finest album. Bell has sired a passel of blues-playing progeny; best-known of the brood is mercurial guitarist Lurrie Bell.

- Bill Dahl (All Music Guide)


Blues harmonica legend Carey Bell is one of the very few players today who didn't learn his craft by listening to old records, but by studying directly under the masters. "Little Walter, he showed me a lot of things,"says Bell, "but Big Walter, he was crazy. He did all kinds of shit other harp players couldn't do. "And like his teachers Big Walter Horton, Little Walter Jacobs and Sonny Boy Williamson II - each with a sound of his own - Bell was inspired to forge his own style. It didn't take long for Bell to develop his signature "chopped"harmonica phrasing and deep-blues vocal attack. A veteran of both Muddy Waters' and Willie Dixon's bands as well as a searing solo artist with chops to burn, Bell's classic yet contemporary, funky yet subtle and deeply soulful blues place him firmly on the short list of blues harmonica superstars.

Bell's new album, GOOD LUCK MAN (AL 4854), picks up right where his critically acclaimed release, DEEP DOWN (AL 4828), left off. Along with his friend and musical partner for the last nine years, guitarist Steve Jacobs ("He's like a right arm to me,"says Bell), GOOD LUCK MAN is a non-stop ride through 14 tough blues, ranging from inspired readings of Muddy's "My Love Strikes Like Lightning,"Willie Dixon's "I'm A Business Man"(a song made famous by Little Walter) and Big Walter Horton's "Hard Hearted Woman"to six Bell originals including "Going Back To Mississippi,""Teardrops"and the smoking instrumental "Bell Hop. "Recorded in Chicago and produced by Bell, guitarist Steve Jacobs, Alligator president Bruce Iglauer and dj/harp player Scott Dirks, GOOD LUCK MAN finds Bell's big tone and gritty vocals leading two distinctly different bands. On half the album, Bell's road-tested touring band fuels the proceedings with classic blues grooves. The other half finds Bell in a more contemporary setting, adding the funky rhythms of his old friends, including bassist Johnny B. Gayden (Albert Collins) and drummer Willie Hayes (Luther Allison). Put together, these two bands make GOOD LUCK MAN one great CD.

Carey Bell Harrington was born in Macon, Mississippi on November 14, 1936. A fan of Louis Jordan, Bell originally wanted a saxophone. Economic realities forced his grandfather to buy him a harmonica instead. He taught himself to play harmonica by the time he was eight, and began playing professionally with his godfather, pianist Lovie Lee, when he was 13. In 1956, Lee convinced Carey that Chicago was the place to be for aspiring bluesmen, and on September 12, 1956 they arrived. Almost immediately, Bell went to see Little Walter perform at the Club Zanzibar at 14th and Ashland. The two became friends and Walter delighted in showing the youngster some of his tricks. Carey went on to meet and learn from Sonny Boy Williamson II, but it was Big Walter Horton who really bowled him over. "I liked that big tone he had,"recalls Bell, ididn't nobody else have that. "Big Walter became Bell's close friend and musical mentor.

Carey learned his lessons well but by the late 1950s and early 1960s the gigs were drying up for harp players as the electric guitar began to take over as the predominant instrument of Chicago blues. Bell decided to increase his worth by becoming a bass player (learning the ropes from Hound Dog Taylor). He quickly mastered the instrument and began getting gigs as a bassist with Honeyboy Edwards, Johnny Young, Eddie Taylor, Earl Hooker and Big Walter. While playing bass in Big Walter's band, Bell studied every harp trick in the book first-hand from one of the all-time great harmonica players.
Bell, back on harp full-time, recorded behind Earl Hooker in 1968 for Arhoolie. His friend Charlie Musselwhite brought him over to Bob Koester at Delmark Records in 1969, who promptly signed Bell and recorded Carey Bell's Blues Harp. Bell spent 1970o1971 traveling and recording with Muddy Waters (he can be heard on Muddy's THE LONDON SESSIONS and UNK IN FUNK albums on Chess). Willie Dixon chose Bell for the featured role in his Chicago Blues All Stars, with whom Bell worked regularly throughout the 1970s, both touring and recording.

Even though Dixon kept Carey busy, Bell still found time for his own projects. In 1972 he teamed up with his friend Big Walter and recorded what was to be Alligator Records' second-ever release, BIG WALTER HORTON WITH CAREY BELL (AL 4702). In 1973 he made a solo album for ABC Bluesway and was featured in 1978 on Alligator's Grammy-nominated LIVING CHICAGO BLUES series (both with his own band and playing behind Lovie Lee).

By the 1980s Bell was already an established giant among blues harmonica players. He recorded albums as a leader and as a sideman for a variety of labels both in the United States and Europe, and was constantly playing live. In 1990 Bell, along with fellow harpslingers Junior Wells, James Cotton and Billy Branch, got together and recorded the W.C. Handy Award-winning Alligator album, HARP ATTACK (AL 4790). Bell's hot playing and deep blues vocals helped make the recording a modern blues classic. And the record has become one of Alligator's best-sellers.

In 1995, Bell's very first full length solo album on Alligator, DEEP DOWN, secured his reputation as a monster harpist. The Village Voice called Bell, "a master of the double reed harmonica. "Option said, "Bell's harp solos are huge ... full of life on the road and classic blues themes ... sung with conviction. "Bell's wailing harmonica and pleading vocals give every song on the album a deep soulfulness and classic blues feel while adding urgent, funky grooves to keep things contemporary.

Now, with GOOD LUCK MAN, Bell keeps the blues fire burning red hot. He's touring extensively with his own band (featured on seven of the 14 songs on the new album) and also working regularly as a part of the Grammy-nominated Muddy Waters Tribute Band. And like his teachers Little Walter, Sonny Boy and especially Big Walter before him, Bell is never content to rest on what's come before. "I'm still reaching for something I've never heard before or played before,"says Bell. "I'm always searching for different things. "GOOD LUCK MAN, with Bell's rich vocabulary of deep harmonica solos and tough city vocals, is a stellar example of what he's found.


Ресурсы сети, связанные с исполнителем:
www.alligator.com/index.cfm?section=artists&artistid=35 Biography
musicians.allaboutjazz.com/musician.php?id=3753 Biography & articles on 'All About Jazz'
www.careybell.com/front.html Photo, music
en.wikipedia.org/wiki/Carey_Bell About from 'wikipedia'
en.m.wikipedia.org/wiki/Carey_Bell About from 'wapedia.mobi' [mobile]
Хронологические таблицы (Hrono table)  
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CD коллекции, связанные с исполнителем:
  как основной исполнитель ...
 Carey Bell - 'Second Nature' - 2004, Alligator Records
  как основной соисполнитель ...
 James Cotton - 'Harp Attack' - 1990, Alligator Records
  как соисполнитель ...
 Billy Branch - 'Live '82' - 1994, Evidence
 Willie Dixon - 'Good Advice' - 1998, Wolf
 Hubert Sumlin - 'I Know You' - 1998, APO
 Koko Taylor - 'Deluxe Edition' - 2002, Alligator Records
 Various Artists - '30th Anniversary Collection V.A.' - Alligator Records
 Various Artists - 'Alligator Records 35X35' - 2006, Alligator Records
 Chuck Weiss - 'Old Souls & Wolf Tickets' - 2001, Slow River, Prospekt

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  Последние изменения в документе сделаны 14/10/2016 18:40:30

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