Birth: Jan 6, 1838 in Cologne, Germany
Death: Oct 20, 1920 in Friedenau, Germany
While the music of Max Bruch generally strikes listeners as beautiful, imaginative, and high-minded, critics have tended to relegate him to the status of a minor master. Most of Bruch's music is rarely played, but it is of substantial quality and deserves hearing. Born in 1838, Bruch started composing as a child, displaying an extraordinary musical talent which was recognized as such by Ignaz Moscheles. In 1852, he wrote a symphony and a string quartet, the latter work bringing him a scholarship from the Frankfurt-based Mozart foundation in 1852, which enabled him to study with Ferdinand Breunung, Ferdinand Hiller, and Carl Reinecke. In 1858, having embarked on a teaching career in Cologne, he produced his first opera, Scherz, List und Rache. He visited several important German cultural centers between 1861 and 1862. From 1862 to 1864, Bruch lived in Mannheim, where he wrote his cantata, Frithjof, which audiences received with great enthusiasm. In addition, Bruch's opera Loreley was produced in 1863. After leaving his Mannheim post, Bruch visited Paris and Brussels, eventually accepting the position of music director in Koblenz in 1865. In 1867, Bruch became Court Kapellmeister in Sonderhausen, remaining at that post until 1870. That year, Bruch moved to Berlin, where his third opera, Hermione, was produced in 1872. Between 1873 and 1878, Bruch, enjoying his reputation as an eminent German composer, worked independently in Bonn. In 1881, however, he resumed his career as a conductor, succeeding Julius Benedict as conductor of the Liverpool Philharmonic Society in England, but he did not get along with the players, who had rather lax standards. In 1883 Bruch left Liverpool and became director of the Breslau (now Wroclaw, Poland) Orchesterverein, where he stayed through the end of the season in 1890.
That autumn, Bruch took up an appointment as professor of composition at the Berlin Hochschule fьr Musik, working there until his retirement in 1910 and retaining his rank as a professor there until his death in 1920.
Bruch's best-known work is without doubt his passionately romantic Violin Concerto No. 1 in G minor (1868), a major item in the standard violin repertoire. His next most often played work is the single-movement work for cello and orchestra, Kol Nidrei. This lovely composition is representative of his interest in setting melodic material originating from other ethnic groups; he wrote works on Russian, Swedish, Scottish, and Celtic melodies as well. These other works, and his symphonies, have not worn well and are rarities, sometimes revived in the concert hall and on records and on those occasions usually favorably surprising the audience for their beauty and fine workmanship.
During his lifetime he had a reputation as destined to become one of music's great composers. This seeming destiny has not happened. Most concert listeners have not heard any of his three symphonies, or more than three or four of his 15 concerted pieces, including the Romanze for viola and orchestra, Op. 85, and the Concerto for clarinet, viola, and orchestra, Op. 88, both fine works.
- Joseph Stevenson (All Music Guide)
МАКС БРУХ,(Bruch, Max) (1838-1920), немецкий композитор, родился 6 января 1838 в Кёльне. Ученик Ф.Хиллера, К.Рейнеке и Ф.Брейнинга, он рано начал сочинять в хоровых жанрах, и в течение всей жизни Бруха именно такого рода сочинения приносили ему успех. Он работал в Германии и в Англии, а в 1892 сменил Г.фон Херцогенберга на посту декана композиторского отделения в берлинской Высшей музыкальной школе. Умер Брух в Фриденау 2 октября 1920. Наиболее долговечными в его наследии оказались первые два из написанных им скрипичных концертов и пьеса Кол Нидрей для виолончели с оркестром.