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     Marty Paich
 
 

Born: Marty Louis Paich on Jan 23, 1925 in Oakland, CA
Died: Aug 12, 1995 in Hidden Hills, CA
Genres: Jazz
Styles: Bop, Cool, West Coast Jazz, Jazz Instrument, Piano Jazz, Big Band
Instruments: Arranger, Piano, Conductor, Producer

One of the best-known arrangers of the post-World War II era, Marty Paich had much stronger jazz credentials than many of his peers, thanks to his active presence on the West Coast scene during the '50s. Paich was born in Oakland, CA, on January 23, 1925; he started out as a pianist, and was performing professionally at age 16. Along with the up-and-coming Pete Rugolo, he wrote arrangements for local bandleader Gary Nottingham. Tapped for military service in 1943, he continued to arrange while serving as the leader of the Army Air Corps band through 1946. Following his discharge, he used the G.I. Bill to further his musical education, enrolling at UCLA to study arranging under Mario Castelnuovo-Tedesco (who also helped train Nelson Riddle). He earned a master's degree from the Los Angeles Conservatory of Music in 1951, and quickly found work in the industry as both an arranger and pianist, working with Jerry Gray and Dan Terry early on.

Paich soon graduated to higher-profile gigs, playing and arranging for Shelly Manne and Shorty Rogers (the latter on the big-band album Cool and Crazy) over 1953-1954, and also serving a stint as Peggy Lee's accompanist and musical director. He led his own groups as well, and in 1955 he began recording for a succession of labels that included Mode, Tampa, Candid (The Picasso of Big Band Jazz), Warner (I Get a Boot Out of You), and RCA Victor. He also toured with Dorothy Dandridge, and arranged (and performed on) the soundtrack to the Disney film Lady and the Tramp (1955). During the mid- to late '50s, Paich wrote arrangements for a who's who of West Coast jazz, including Chet Baker, Buddy Rich, Ray Brown, Dave Pell, and Stan Kenton, among others. Perhaps his most notable work came with Mel Torme, whom he often backed with a ten-piece group dubbed the Dek-tette; the pairing resulted in the classic album Mel Torme and the Marty Paich Dek-tette (aka Lulu's Back in Town), plus numerous other high-quality sessions through 1960. Additionally, Paich contributed the arrangements to altoist Art Pepper's 1959 masterpiece Art Pepper + Eleven: Modern Jazz Classics. Paich's work for both Torme and Pepper reflected one of his greatest strengths as an arranger: making relatively small groups sound like full-size orchestras.

By the close of the '50s, Paich had already begun to branch out from his West Coast roots, arranging material for Ella Fitzgerald, Anita O'Day, and big-band leader Terry Gibbs. Around 1960, he elected to move away from his own recording career to focus on arranging for pop (and sometimes jazz) vocalists. Over the course of the decade, he worked with the likes of Ray Charles, Lena Horne, Helen Humes, Al Hirt, Andy Williams, Sammy Davis, Jr., Dean Martin, Frank Sinatra, Barbra Streisand, Astrud Gilberto, and Mahalia Jackson, among many others. He also composed music for films (including some animated Hanna-Barbera projects) and television shows, winning an Emmy for his work on Ironside. In the late '60s, he served as musical director on a succession of variety shows, including The Glen Campbell Good-Time Hour, The Smothers Brothers Comedy Hour (as Nelson Riddle's successor), and The Sonny and Cher Show.

After the early '70s, Paich's activity began to tail off, though he still worked sporadically as an orchestra conductor and string arranger, both on movie soundtracks and for artists like George Benson, Carly Simon, Elton John, and Kenny Loggins (a Grammy-nominated arrangement for "Only a Miracle"), not to mention his son David Paich's album rock supergroup Toto. He also helmed Sarah Vaughan's Songs of the Beatles project in 1980. In the late '80s, Paich reunited with a resurgent Torme, reorganizing the Dek-tette for a series of highly acclaimed recordings and tours. He also continued to work on soundtracks into the '90s, frequently as a conductor and musical supervisor. Colon cancer claimed Paich's life on August 12, 1995.

- Steve Huey (All Music Guide)


Ресурсы сети, связанные с исполнителем:
www.jazz.com/features-and-interviews/2008/8/21/mel-marty-dek-tette About
musicians.allaboutjazz.com/musician.php?id=10069 Biography & articles on 'All About Jazz'
www.martypaich.com/resume.html Personal website. Biography, discography
en.wikipedia.org/wiki/Marty_Paich About from 'wikipedia'
en.m.wikipedia.org/wiki/Marty_Paich About from 'wapedia.mobi' [mobile]
   
Поиск видео (Video Search) :  

CD коллекции, связанные с исполнителем:
  как основной исполнитель ...
 Marty Paich - 'The Broadway Bit. I Get A Boot Out Of You' - 2006, Collector's Choice
  как основной соисполнитель ...
 Mel Torme - 'Torme' - 1958, Verve
  как соисполнитель ...
 Bob Brookmeyer - 'Trombones Inc' - 2007, Poll Winners Records
 Lena Horne - 'Love Songs' - 2000, RCA Victor
 Lena Horne - 'Stormy Weather' - 2008, Bluebird RCA
 Lena Horne - 'The Classic Lena Horne' - 2001, RCA
 Helen Humes - 'Songs I Like To Sing' - 1960, Contemporary, OJC
 Shelly Manne - 'Shelly Manne & His Men. Vol. 2' - 1999, Contemporary, OJC
 Shelly Manne - 'The West Coast Sound. Vol. 1' - 1992, Contemporary, OJC
 Anita O'Day - 'Anita O'Day Sings The Winners' - 1963, Verve
 Art Pepper - 'Art Pepper Plus Eleven' - 1959, Contemporary, OJC
 Art Pepper - 'Pepper Returns' - 1998, Giants Of Jazz
 Shorty Rogers - 'West Coast Sounds' - 2006, Fresh Sound
 Frank Rosolino - 'Four Horns And A Lush Life' - 1956, Bethlehem, Verse Music Group
 Mel Torme - 'Back In Town' - 1959, Polygram
 Mel Torme - 'It's A Blue World' - 2001, Bethlehem
 Mel Torme - 'Lulu's Back In Town' - 1956, Giants Of Jazz
 


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  Последние изменения в документе сделаны 30/05/2016 16:57:52

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