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In 1996 Andras Keller, first violinist of the string quartet that bears his name, decided to make a complete recording of Bela Bartok's six string quartets - a musical challenge for every violinist and, for every Hungarian, an emotional one besides. "It was almost half a century [writes Wolfgang Sandner] since his teacher Sandor Vegh had done the same. Pushing the footstep metaphor just a bit further, one would have to say: the Keller Quartet have set their prints alongside those of the Vegh Quartet. Unsentimental, intelligently responsive to structure, multifaceted, almost a bit modernistically cool in the overall conception - an assessment that also implies praise for the teacher: Vegh's students do sound, not like Vegh, but like themselves. |
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