Born: Sep 19, 1930 in Chicago, IL
Genre: Jazz
Styles: Avant-Garde, Free Jazz, Avant-Garde Jazz, M-Base
Instruments: Piano, Composer, Leader

Composer, arranger, and pianist Muhal Richard Abrams is largely a self-taught musician who was deeply influenced by the bop innovations of the late Bud Powell. Abrams has been a beacon in the jazz community as a co-founder (and first president), in 1965, of Chicago's legendary vanguard music institution, the Association for the Advancement of Creative Musicians (AACM). While Abrams is well-known as a mentor to three generations of younger musicians - born in 1930 he was a decade older than his closest peer in the AACM - as a bandleader and professor at the Banff Center, Columbia University, Syracuse University, and the BMI Composers' Workshop, he is not always recognized for his substantial contribution as a player and recording artist. Abrams' first gigs were playing the blues, R&B, and hard bop circuit in Chicago and working as a sideman with everyone from Dexter Gordon and Max Roach to Ruth Brown and Woody Shaw. But Abrams' own recordings reveal his strength as an innovator. His 1967 debut, Levels and Degrees of Light on Chicago's Delmark label, set the course for his own career and that of many of his AACM contemporaries, including Henry Threadgill, the Art Ensemble of Chicago, Leo Smith, and Anthony Braxton. Abrams is also a conduit for the tradition. Though his music is noted for its vanguard edginess, he nonetheless bridges everything in his playing from boogie-woogie to bebop to free improv, as evidenced by Sightsong and Rejoicing With the Light, both on the Black Saint label. Abrams has been a composer that moves through the classical tradition as well. Novi, his first symphony for orchestra and jazz quartet, has been performed at various festivals, and the Kronos Quartet performed his String Quartet, No. 2.

- Thom Jurek (All Music Guide)

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Абрамс Махол Ричард (р. 19 сентября 1930, Чикаго, Иллинойс) - американский джазовый музыкант (фортепиано, электрофортепиано, орган, синтезатор, гобой, виолончель), бэндлидер, композитор.

Получил разностороннее музыкальное образование. Как профессиональный джазовый музыкант выдвинулся во 2-й половине 60-х годов, с 1968 выступал с собственным ансамблем, возглавлял экспериментальный биг-бэнд. Известен прежде всего как композитор и пианист (с 1974 играл также на электрофортепиано и органе, с 1979 - на синтезаторе). Принадлежал к числу основателей ААСМ (Ассоциации содействия креативным музыкантам). С начала 70-х годов регулярно читал лекции о современном джазе в американских университетах. Сотрудничал со многими музыкантами креативных направлений (с 1967) - Энтони Брэкстоном, Джозефом Джарменом, Роско Митчеллом, Барри Альтшулом, "Чико" Фрименом, Джорджем Льюисом, Генри Триджиллом, Эрлом Макинтайром, Лео Смитом, ансамблями CREATIVE CONCTRUCTION COMPANY (CCC) и ART ENSEMBLE OF CHICAGO (1973 - LP Fanfare Of The Warriors), со своими группами.

Один из лидеров чикагской школы авангардного джаза, стилистически многогранный музыкант-новатор, мультиинструменталист. Крупная фигура в области креативной музыки (представляет, в первую очередь, ее мэйнстрим). Особенно плодотворна его деятельность в сфере грейт-блек- и абстракт-креатив-мьюзик наряду с классическим и новым джазом.