Birth: Apr 16, 1944 in Toledo, OH
Birth: Apr 16, 1944 in Toledo, OH
Though respected for his interpretations of works that range across the entire repertoire, American conductor Dennis Russell Davies is particularly well known for his skillful presentations of new music. Davies' formal training includes studies at the Juilliard School of Music, where his conducting teachers were Jean Morel and Jorge Mester. He made his conducting debut in 1968, leading the Juilliard Ensemble in performances at the Spoleto Festival. In 1969, Davies led the same group (under the name "The Ensemble") in the famed concert series "New and Newer Music" at Lincoln Center. In 1970, he led the premiere performance of Luciano Berio's opera Opera at the Santa Fe Festival.
The conductor's first appointment was as music director of the Norwalk Symphony (1968 - 1973). From 1972 to 1980 he was music director of the St. Paul Chamber Orchestra and, from 1974, director of the Cabrillo Music Festival. Davies made his European operatic debut with a production of Debussy's Pelleas et Melisande at the Netherlands Opera in 1973. In 1977, he became a founding member and music director of the American Composers Orchestra, a New York ensemble specializing in new music. His tenure with that ensemble, which continued to 2001, represents one of the longest such associations on the American orchestral scene. In 1978 Davies became the second American (after Thomas Schippers) to be asked to conduct at the Wagner Festival in Bayreuth, where he led performances of The Flying Dutchman through 1980. Davies held the post of music director of the Wurttemburg State Theater in Stuttgart from 1980 to 1987. There, in addition to premiering works like Henze's The English Cat, Glass' Akhnaten, and Bolcom's Songs of Innocence and Experience, he attracted attention for controversial productions of more familiar repertoire.
Davies has lived in Germany since 1980, although he spends much of his professional life in the United States. In 1991 he became director of the Brooklyn Academy of Music and principal conductor of the Brooklyn Philharmonic. He debuted at the Metropolitan Opera in 1996, conducting the premiere of Glass' The Voyage. In the 1990s he also premiered Berio's Un re in Ascolto at the Chicago Lyric Opera and Schwertsik's operetta Der ewige Frieden in Bonn and Vienna. Davies assumed the post of chief conductor of the Stuttgart Chamber Orchestra in 1996. In 2002, he took on chief conductor position of both the Linz Opera and the Bruckner Orchestra Linz.
Davies is amply represented on recordings, especially of new music. His label associations include projects with Nonesuch, ECM, Point, Argo, Tzadik, MusicMasters, and CRI.
All Music Guide
Dennis Russell Davies's activities as an opera and orchestral conductor, concert pianist and chamber musician are noteworthy for his wide-ranging repertoire extending from the baroque era to the present day, his thoughtful programming, and his close cooperation with composers including Luciano Berio, John Cage, Philip Glass, Aaron Copland, Hans Werner Henze, Arvo Part, Giya Kancheli and Valentin Silvestrov.
Davies was born in Toledo, Ohio, and studied piano and conducting at the Juilliard School in New York. He then became the principal conductor of the St Paul Chamber Orchestra (1972-80) and the American Composers Orchestra, New York (1977-2002). In 1980 he relocated to Germany and Austria, where he was appointed general music director of the Stuttgart Opera (1980-87), the Orchestra of Beethoven Hall, Bonn (1987-95), and the Vienna Radio Symphony Orchestra (1997-2002). At present he is the principal conductor of the Stuttgart Chamber Orchestra and the Linz Bruckner Orchestra as well as opera director at the Provincial Theater in Linz (from 2002).
Dennis Russell Davies came into contact with ECM through his association with Keith Jarrett in the mid-1970s, conducting Jarrett's "Arbour Zena" music in the States and recording his piano piece "Ritual". Twenty years later he also conducted Mozart piano concertos with Jarrett in the solo part. Above all, Davies has devoted himself with great open-mindedness and empathy to various fields of contemporary music, from American modernists (John Cage's "The Seasons") and Luciano Berio ("Voci") to composers from the countries of the former Soviet Union. For ECM he has presented the music of Arvo Part, Giya Kancheli, Erkki-Sven Tuur, Valentin Silvestrov and other composers in important recordings with such musicians as Kim Kashkashian, the Hilliard Ensemble, Jan Garbarek, Thomas Demenga and Alexei Lubimov.