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     Eddie 'Cleanhead' Vinson
 
 

Born: Dec 18, 1917 in Houston, TX
Died: Jul 2, 1988 in Los Angeles, CA
Genres: Jazz
Styles: New York Blues, Jump Blues, Bop, West Coast Blues, Blues, R&B
Instruments: Vocals, Sax (Alto)

An advanced stylist on alto saxophone who vacillated throughout his career between jump blues and jazz, bald-pated Eddie "Cleanhead" Vinson (he lost his hair early on after a botched bout with a lye-based hair-straightener) also possessed a playfully distinctive vocal delivery that stood him in good stead with blues fans.

Vinson first picked up a horn while attending high school in Houston. During the late '30s, he was a member of an incredible horn section in Milton Larkins's orchestra, sitting next to Arnett Cobb and Illinois Jacquet. After exiting Larkins' employ in 1941, Vinson picked up a few vocal tricks while on tour with bluesman Big Bill Broonzy. Vinson joined the Cootie Williams Orchestra from 1942 to 1945. His vocals on trumpeter Williams' renditions of "Cherry Red" and "Somebody's Got to Go" were in large part responsible for their wartime hit status.

Vinson struck out on his own in 1945, forming his own large band, signing with Mercury, and enjoying a double-sided smash in 1947 with his romping R&B chart-topper "Old Maid Boogie" and the song that would prove his signature number, "Kidney Stew Blues" (both songs featured Vinson's instantly identifiable vocals). A 1949-1952 stint at King Records produced only one hit, the amusing sequel "Somebody Done Stole My Cherry Red," along with the classic blues "Person to Person" (later revived by another King artist, Little Willie John).

Vinson's jazz leanings were probably heightened during 1952-1953, when his band included a young John Coltrane. Somewhere along about here, Vinson wrote two Miles Davis classics, "Tune Up" and "Four." Vinson steadfastly kept one foot in the blues camp and the other in jazz, waxing jumping R&B for Mercury (in 1954) and Bethlehem (1957), jazz for Riverside in 1961 (with Cannonball Adderley), and blues for Blues Time and ABC-BluesWay. A 1969 set for Black & Blue, cut in France with pianist Jay McShann and tenor saxophonist Hal Singer, beautifully recounted Vinson's blues shouting heyday (it's available on Delmark as Old Kidney Stew Is Fine). A much later set for Muse teamed him with the sympathetic little big-band approach of Rhode Island-based Roomful of Blues. Vinson toured the States and Europe frequently prior to his 1988 death of a heart attack.

- Bill Dahl (All Music Guide)


Ресурсы сети, связанные с исполнителем:
www.aaregistry.com/african_american_history/1405/Houstons_own_Eddie_Cleanhead_Vinson About
www.austinlindy.com/eddie_cleanhead_vinson.htm About
en.wikipedia.org/wiki/Eddie_Vinson About from 'wikipedia'
en.m.wikipedia.org/wiki/Eddie_Vinson About from 'wapedia.mobi' [mobile]
   
Поиск видео (Video Search) :  

CD коллекции, связанные с исполнителем:
  как основной исполнитель ...
 Eddie 'Cleanhead' Vinson - 'Cleanhead And Cannonball' - 1990, Milestone, Fantasy
 Eddie 'Cleanhead' Vinson - 'Eddie 'Cleanhead' Vinson & Roomful Of Blues' - 1992, Muse
 Eddie 'Cleanhead' Vinson - 'I Want A Little Girl' - 1981, OJC
 Eddie 'Cleanhead' Vinson - 'Jumpin' The Blues' - 1969, Black & Blue
 Eddie 'Cleanhead' Vinson - 'Kidney Stew' - 1996, Circle
 Eddie 'Cleanhead' Vinson - 'Kidney Stew Is Fine' - 1993, Delmark
  как основной соисполнитель ...
 Etta James - 'Early Show, Vol. 1: Blues In The Night' - 1986, Fantasy
 T-Bone Walker - 'Blues Collective' - 1996, Laserlight
  как соисполнитель ...
 Eddie 'Lockjaw' Davis - 'The Definitive Black & Blue Sessions: Leapin' On Lenox' - 2002, Black & Blue
 Helen Humes - 'Helen Humes And The Muse All Stars' - 1994, Muse
 Eddie Shaw - 'Movin' And Groovin' Man' - 1993, Evidence
 Various Artists - 'Essential Texas Blues' - 1997, Platinum
 


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  Последние изменения в документе сделаны 30/05/2016 16:53:00

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