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     Earl Hines

Real name: Earl Kenneth Hines.
Born: Dec 28, 1903 in Dusquesne, PA
Died: Apr 22, 1983 in Oakland, CA.
Genres: Jazz.
Styles: Classic Jazz, Swing, Big Band.
Instruments: Leader, Composer, Piano

Once called "the first modern jazz pianist," Earl Hines differed from the stride pianists of the 1920s by breaking up the stride rhythms with unusual accents from his left hand. While his right hand often played octaves so as to ring clearly over ensembles, Hines had the trickiest left hand in the business, often suspending time recklessly but without ever losing the beat. One of the all-time great pianists, Hines was a major influence on Teddy Wilson, Jess Stacy, Joe Sullivan, Nat King Cole and even to an extent on Art Tatum. He was also an underrated composer responsible for "Rosetta," "My Monday Date" and "You Can Depend on Me" among others.

Earl Hines played trumpet briefly as a youth before switching to piano. His first major job was accompanying vocalist Lois Deppe, and he made his first recordings with Deppe and his orchestra in 1922. The following year Hines moved to Chicago where he worked with Sammy Stewart and Erskine Tate's Vendome Theatre Orchestra. He started teaming up with Louis Armstrong in 1926 and the two masterful musicians consistently inspired each other. Hines worked briefly in Armstrong's big band (formerly headed by Carroll Dickerson) and they unsuccessfully tried to manage their own club. 1928 was one of Hines's most significant years. He recorded his first ten piano solos including versions of "A Monday Date," "Blues in Thirds" and "57 Varieties." Hines worked much of the year with Jimmy Noone's Apex Club Orchestra and their recordings are also considered classic. Hines cut brilliant (and futuristic) sides with Louis Armstrong's Hot Five, resulting in such timeless gems as "West End Blues," "Fireworks," "Basin Street Blues" and their remarkable trumpet-piano duet "Weather Bird." And on his birthday on December 28, Hines debuted with his big band at Chicago's Grand Terrace.

A brilliant ensemble player as well as soloist, Earl Hines would lead big bands for the next 20 years. Among the key players in his band through the 1930s would be trumpeter/vocalist Walter Fuller, Ray Nance on trumpet and violin (prior to joining Duke Ellington), trombonist Trummy Young, tenor-saxophonist Budd Johnson, Omer Simeon and Darnell Howard on reeds and arranger Jimmy Mundy. In 1940 Billy Eckstine became the band's popular singer and in 1943 (unfortunately during the musicians' recording strike), Hines welcomed such modernists as Charlie Parker (on tenor), trumpeter Dizzy Gillespie and singer Sarah Vaughan in what was the first bebop orchestra. By the time the strike ended Eckstine, Parker, Gillespie and Vaughan were gone but tenor Wardell Gray was still around to star with the group during 1945-46.

In 1948 the economic situation forced Hines to break up his orchestra. He joined the Louis Armstrong All-Stars but three years of playing second fiddle to his old friend were difficult to take. After leaving Armstrong in 1951, Hines moved to Los Angeles and later San Francisco, heading a Dixieland band. Although his style was much more modern, Hines kept the group working throughout the 1950s, at times featuring Muggsy Spanier, Jimmy Archey and Darnell Howard. Hines did record on a few occasions but was largely forgotten in the jazz world by the early '60s. Then in 1964 jazz writer Stanley Dance arranged for him to play three concerts at New York's Little Theater, both solo and in a quartet with Budd Johnson. The New York critics were amazed by Hines's continuing creativity and vitality and he had a major comeback that lasted through the rest of his career. Hines travelled the world with his quartet, recorded dozens of albums and remained famous and renowned up until his death at the age of 79. Most of the many recordings from his career are currently available on CD.

- Scott Yanow (All Music Guide)


ЭРЛ ХАЙНС. 1903-1983, выдающийся пианист классического джаза. Родился вблизи Питтсбурга (шт. Пенсильвания), отец играл на корнете в местных брасс-бэндах, мать была органисткой. С 1914 г. изучал игру на фортепиано с частными педагогами, в 1922 г. уехал в Чикаго, играл там с Джимми Нуном, Луи Армстронгом и др. В декабре 1928 г. организовал свой биг-бэнд в Чикаго и руководил им вплоть до 1948 г. Потом присоединился к "звездной" группе Л. Армстронга (1948-51), позднее осел в Сан-Франциско, много работал в Калифорнии, а в 1960 г. переехал со своей семьей в Окленд, где умер 22 апреля 1983 г. Гастролировал в Европе, Японии и Австралии, и, несмотря на плохое здоровье, продолжал работать за неделю до своей смерти. В 1977 г. была опубликована великолепная книга известного критика и писателя Стэнли Дэнса "Мир Эрла Хайнса".

Nat Shapiro, Nat Hentoff. "Hear Me Talkin' To Ya". Rinehart & Co Inc. New York. 1955

Ресурсы сети, связанные с исполнителем:
www.pbs.org/jazz/biography/artist_id_hines_earl.htm Biography
musicians.allaboutjazz.com/musician.php?id=7642 Biography & articles on 'All About Jazz'
www.redhotjazz.com/hines.html Biography, discography
en.wikipedia.org/wiki/Earl_Hines About from 'wikipedia'
en.m.wikipedia.org/wiki/Earl_Hines About from 'wapedia.mobi' [mobile]
Хронологические таблицы (Hrono table)  
Поиск видео (Video Search) :  

CD коллекции, связанные с исполнителем:
  как основной исполнитель ...
 Earl Hines - '1942-1945' - 1998, Chronological Classics
 Earl Hines - '1945-1947' - 1999, Chronological Classics
 Earl Hines - '1947-1949' - 2000, Chronological Classics
 Earl Hines - '1949-1952' - 2003, Chronological Classics
 Earl Hines - '1953-1954' - 2007, Chronological Classics
 Earl Hines - 'Blues & Things' - 1967, Master Jazz, Galactic
 Earl Hines - 'Father Steps In' - 2000, Tring
 Earl Hines - 'Grand Reunion' - 1965, Polygram
 Earl Hines - 'Piano Man (Definitive)' - 2006, Definitive
 Earl Hines - 'Piano Men (Bluebird RCA)' - 1990, Bluebird RCA
  как основной соисполнитель ...
 Johnny Hodges - 'Stride Right' - 2004, Verve
  как соисполнитель ...
 Louis 'Satchmo' Armstrong - 'Satchmo Serenades' - 1952, Decca, Polygram
 Louis 'Satchmo' Armstrong - 'The Hot Fives & Hot Sevens, Volume III' - 1927, Columbia
 Cozy Cole - '1944' - 1995, Classics
 Barbara Hendricks - 'Tribute To Duke Ellington' - 1995, EMI Classics, Angel Records
 Johnny Hodges - '3 Shades Of Blue' - 1970, Flying, Galactic
 Helen Humes - 'On The Sunny Side Of The Street' - 1993, Black Lion
 Jimmie Noone - '1928-1929' - 1996, Classics
 Jimmie Noone - 'Apex Blues' - 1994, Decca
 Jimmie Noone - 'Chicago Rhythm - Apex Blues: The Recordings Of Jimmie Noone 1923-1943' - 2006, JSP
 Jimmie Noone - 'Moody Melody' - 2008, History

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  Последние изменения в документе сделаны 14/10/2016 18:38:58

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